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[1] [2] Fans eventually complained that the use of gadgets became excessive in the Roger Moore films, particularly in Moonraker, and subsequent productions struggled to find a balance in which gadgets could have a place without giving the impression that the character unduly depended on them or using stories that arbitrarily included situations ...
Other double entendre names included Holly Goodhead from Moonraker, Mary Goodnight and Chew Mee from The Man with the Golden Gun, Honey Ryder from Dr. No, Plenty O'Toole from Diamonds Are Forever, Xenia Onatopp from GoldenEye, and Christmas Jones from The World Is Not Enough. [140] [141] [142]
James Bond and Moonraker is a novelization by Christopher Wood of the James Bond film Moonraker. Its name was changed to avoid confusion with Fleming's novel . It was released in 1979 .
Clockwise from top left: Eva Green, Halle Berry, Michelle Yeoh, and Jane Seymour A Bond girl is a character who is a love interest, female companion or (occasionally) an adversary of James Bond in a novel, film, or video game.
Moonraker is a 1979 spy-fi film, the eleventh in the James Bond series produced by Eon Productions, and the fourth to star Roger Moore as the fictional MI6 agent James Bond.The third and final film in the series to be directed by Lewis Gilbert, it co-stars Lois Chiles, Michael Lonsdale, Corinne Cléry, and Richard Kiel.
It is not credible that a writer in an environment in which double-entendres were endemic was not fully aware of the double-entendres inherent in his writing. — Preceding unsigned comment added by 86.160.86.80 ( talk ) 02:25, 30 August 2012 (UTC) [ reply ]
A series of prank calls to a bar in Jersey City, New Jersey during the 1970s, where two pranksters would call for double-entendre names, such as 'Al Coholic' and 'Phil Mypockets'. A recording of it inspired a running gag in a very well-known sitcom.
Moonraker is the soundtrack for the eleventh James Bond film of the same name. [2] Moonraker was the third of the three Bond films for which the theme song was performed by Shirley Bassey. Frank Sinatra was considered for the vocals, before Johnny Mathis was approached and offered the opportunity. Mathis was unhappy about the song and withdrew ...