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MX49 / MX61 (2012) - successor to MM6/MM8, with more than 1000 sounds from Motif XS; MX88 (2017) Reface series. Reface CS (2015, 8 voice (single multimode oscillator per voice), virtual analog synthesizer based on the CS series) Reface DX (2015, 8 voice, 4-op FM synthesizer based on the DX series)
The third model of the 1000 series known as the CDJ-1000 MK3 was released in March 2006. Unlike the earlier versions, the MK3 supported playback of MP3s from CD-R and CD-RW media. Other improvements to earlier versions included bigger, lighter displays; a 100 dots waveform display instead of the earlier 50 dots waveform; the ability to record ...
The original FCC output power limitation for CB radios was "5 watts DC input to the final amplifier stage", which was a reference to the earlier radios equipped with tubes. With solid state radios becoming more common in the 1970s, the FCC revised this specification at the same time the authorized channels were increased to 40.
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Thanks to a dual function jack on the amp's rear panel, the Hot Rod can also be used as a standalone reverb unit to be used in conjunction with another amplifier's input or effects loop. In this function, the gain knob becomes the unit's dwell control, the volume knob retains its level function, and the reverb knob becomes the mixture control.
The first class-D amplifier was invented by British scientist Alec Reeves in the 1950s and was first called by that name in 1955. The first commercial product was a kit module called the X-10 released by Sinclair Radionics in 1964.
During 1952, the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15" speaker. The 1952–1954 [1] 5B6 Bassman amplifiers had two 6SC7 or 6SL7GT pre-amp tubes, two 5881 power tubes and a single 5U4G rectifier tube. It was designed to generate 26 watts at an 8-ohm ...
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