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The Death Note Original Soundtrack for the anime adaptation was first released in Japan on December 21, 2006, and was published by VAP.It contains music from the series, composed by Yoshihisa Hirano and Hideki Taniuchi, with the first opening and ending themes sung by the Japanese band Nightmare in the TV size format. [1]
From a song: This is a redirect from a song title to a more general, relevant article such as an album, film or artist where the song is mentioned.Redirecting to the specific album or film in which the song appears is preferable to redirecting to the artist when possible.
"Fighter" is a song recorded by Japanese singer Namie Amuro, released as a double A-side single with "Dear Diary". It was released on October 26, 2016 via Dimension Point and Avex Trax in two CD formats, and a DVD package; a digital release was made available for consumption on November 16.
Rawle married Judith Anne Rodgers (born 1939) on 12 September 1964, in Sevenoaks.The couple had three children, Elizabeth, Richard and Georgina. [15] The family settled in Berry Lane, Chorleywood, Hertfordshire, where Rawle built his own house, Tonawanda, and installed a 4-manual, 20-rank Wurlitzer organ, previously at the Empire, Leicester Square. [1]
Daniel "Dude" Mowrey (born February 10, 1972, in Fort Lauderdale, Florida [1]) is an American country music artist. Between 1991 and 1993, Mowrey recorded two studio albums, both on major labels: 1991's Honky Tonk on Capitol Records Nashville, and 1993's Dude Mowrey on Arista Nashville.
The song was composed by John Deacon in the key of C major with a meter of 4/4, in swing feel. [15] The album A Night at the Opera features songs of numerous styles, including this three-minute pop song. [4] Very unusual for the genre, there is no section appearing more than twice; characteristic of many Queen songs, as affirmed by Brian May. [16]
The song was Jennings' sixth number one on the country charts. The single spent two weeks at the top and a total of eleven weeks on the chart. [1] It was later covered by Kacey Musgraves for a tribute show to Jennings, the live album of which was released in 2017.
The song would wind up with two keyboards and one guitar. In the studio, the musicians worked on the song's arrangement, which took six days. Leavell created the transition between the piano and guitar solos. [5] Betts later likened the song's creation to architecture, noting that it is "meticulously constructed, and every aspect has its place ...