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Musiq Soulchild also covered the song on the 2007 Earth, Wind & Fire tribute album, Interpretations: Celebrating the Music of Earth, Wind & Fire and Omarion on his 2017 album Reasons. [9] [10] Reasons has been sampled by Master P on Intro/17 Reasons featured on his album 99 Ways to Die and by Shabba Ranks on the song "Muscle Grip" from his ...
The album's next two singles did not fare as well. Free To Be Lonely Again peaked at No. 14 Country. (The song's writer, Diane Pfeifer, released the song prior to Boone, but only climbed to No. 85 Country.) The final single, Take It Like A Woman, just missed the Country Top 40 peaking at No. 44.
With the LP came "Sing a Song" which rose to No. 1 on the Billboard Hot Soul Songs chart and No. 5 on the Hot 100 chart. [6] [7] Another single, "Can't Hide Love", got to No. 11 on the Billboard Hot Soul Songs chart. [8] "Can't Hide Love" was also nominated for a Grammy in the category of Best Arrangement For Voices. [9]
Not all songs are created equal. Some are meant to bypass your ears and travel straight through your body. Add the right headphones to the mix – ones with rich, warm audio – and the experience ...
For international versions of his L-O-V-E album, Nat King Cole also recorded versions of "L-O-V-E" and other songs, in Japanese (mixed with English words), [4] Italian, [5] German, [6] Spanish [7] and French. [8] In this last language, the song was renamed "Je Ne Repartirai Pas" and translated by Jean Delleme.
The song "For a Friend" by Phil Collins, released on the CD single "We Wait and We Wonder" in 1993, was a tribute to Myrick, who actively participated in Collins's songs and shows for many years. [citation needed] As a tribute, Gary Bias performs the saxophone solos that originated with Myrick at Earth, Wind & Fire's live shows. [citation needed]
"God Only Knows" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is a baroque-style love song distinguished for its harmonic innovation and complexity, unusual instrumentation, and subversion of typical popular music conventions, both lyrically and musically. It is ...
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