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The words were inspired by Leviticus 8:35, in which God, through Moses, gives instructions to Aaron and his sons, for their service as priests. He commands them to "keep the charge of the LORD, that ye die not." [1] Other Bible verses reflected in the words include Hosea 6:2, Matthew 25:30, 1 Corinthians 4:2 and 2 Peter 1:10. [3]
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
For several months, he struggled with the chorus and even put the song aside for about six months before finally finishing it. [3] However, he was still not confident in the chorus. It was not until he played this song at his home church Soul Survivor, and his pastor told him to play the song more often, that he realized the potential the song ...
In 1862 in England, Jane Montgomery Campbell, who was proficient in the German language, started to translate a number of German hymns into English.She translated "Wir pflügen und wir streuen" into English as "We Plough the Fields and Scatter"; however, she did not make a strict translation from the original German but ensured retention of the hymn's original focus of giving thanks to God for ...
The servant is now portrayed as the prophet of the Lord equipped and called to restore the nation to God. Yet, anticipating the fourth song, he is without success. Taken with the picture of the servant in the first song, his success will come not by political or military action, but by becoming a light to the gentiles. Ultimately his victory is ...
Godspell is a musical in two acts with music and lyrics by Stephen Schwartz and a book by John-Michael Tebelak. [1] The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.
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Gotta Serve Somebody was Grammy nominated for Best Traditional Soul Gospel Album and also Best Pop Collaboration With Vocals for the Bob Dylan and Mavis Staples duet but neither of the prizes was won. [1] The New York Times called the record "The best African-American covers of Dylan songs since Jimi Hendrix." [2]