Search results
Results from the WOW.Com Content Network
Ancient temples and palaces in Kerala, India, display an abounding tradition of mural paintings mostly dating back between the 9th to 12th centuries CE when this form of art enjoyed royal patronage. The scriptural basis of these paintings can be found in the Sanskrit texts, Chithrasoothram - (Chitrasutra is a part of the Vishnu Dharmottara ...
It emerged as a powerful movement that sought to revive traditional Indian artistic practices and forge a unique national identity. [10] In the aftermath of India's independence, many new genres of art developed by important artists like Jamini Roy, M. F. Husain, Francis Newton Souza, and Vasudeo S. Gaitonde. With the progress of the economy ...
Indian elements were present in their works from the beginning, with the incorporation of local Indian flora and fauna that were otherwise absent from the traditional Persian style. The paintings of this time reflected the vibrancy and inclusion of Akbar's kingdom, with production of Persian miniatures , the Rajput paintings (including the ...
Images depicting Vishnu's four-armed Narayana form almost always include the Chakra in one of his hands. It is a general symbol for protection. It is a general symbol for protection. Chakra is also known to symbolize the need to follow dharma and to condemn adharma.
The central motif in each ritual painting is the square, known as the "chauk" or "chaukat", mostly of two types known as Devchauk and Lagnachauk. Inside a Devchauk is usually a depiction of palghat, the mother goddess, symbolizing fraternity. [3] Male gods are unusual among the Warli and are frequently related to spirits which have taken human ...
The traditional block prints in this art largely use Persian motifs like interlacing pattern of leaves and flowers , the cartwheel, different forms of the lotus flower, creepers, birds like parrots and peacock, and other intricate leaf designs. One very popular subject with them is the tree of life.
Pattachitra is a traditional painting of Odisha, India. [1] These paintings are based on Hindu mythology and specially inspired by Jagannath and Vaishnava sect. [ 13 ] All colours used in the Paintings are natural and paintings are made fully old traditional way by Chitrakaras that is Odiya Painter.
In the kolam patterns, many designs are derived from magical motifs and abstract designs blended with philosophical and religious motifs which have been mingled together. [5] Motifs may include fish, birds, and other animal images to symbolise the unity of man and beast. The sun, moon and other zodiac symbols are also used. [6]