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Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
In 2002, the project was migrated to the internet, and in 2010 it was adopted by the art history department of Duke University. [2] In 2017, the DAH was adopted by the Wired! Lab at Duke University [3] and a new version of the site was launched in 2018. [4] The project enjoys collaboration with the Journal of Art Historiography, which started ...
The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
The CDWA was created by the Art Information Task Force (AITF), which encouraged dialog between art historians, art information professionals, and information providers so that together they could develop guidelines for describing works of art, architecture, groups of objects, and visual and textual surrogates.
Art history usually refers to the academic discipline covering the study of the history of the visual arts.Although ideas about the definition of art have changed over the years, the field of art history attempts to categorize changes in art throughout time and better understand how art shapes and is shaped by the outlooks and creative impulses of its practitioners.
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
In the period after the Russian Revolution, new definitions of art had to be found, such as the definition of art objects as "laboratory experiments". "Faktura" was the single most important quality of these art objects, according to the critic Victor Shklovsky , referring to the material aspect of the appearance.
By the mid-19th-century painters became liberated from the demands of their patronage to only depict scenes from religion, mythology, portraiture or history. The idea "art for art's sake" began to find expression in the work of painters like Francisco de Goya, John Constable, and J.M.W. Turner.
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