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Barbara Matera (16 July 1929, Hythe, Kent – 13 September 2001, New York City) [1] was an American costume and clothing designer of English birth. Matera apprenticed in costume design at the Royal Opera House in London during the late 1940s; she later designed costumes for several productions at that theatre. Her company, Barbara Matera, Ltd ...
The last costumes executed by Stage & Art Inc. were for Franco Zeffirelli's production of Verdi's Falstaff, that debuted March 6, 1964— one of the last productions at the Old Metropolitan Opera House. Karinska had signed a contract with the Ford Foundation to operate the New York City Ballet's new costume shop.
Lincoln Edward Kirstein (May 4, 1907 – January 5, 1996) was an American writer, impresario, art connoisseur, philanthropist, and cultural figure in New York City, noted especially as co-founder of the New York City Ballet. He developed and sustained the company with his organizing ability and fundraising for more than four decades, serving as ...
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine [1] and Lincoln Kirstein. [2] Balanchine and Jerome Robbins are considered the founding choreographers of the company.
Stafford became an apprentice at New York City Ballet in October 1998, and joined the corps de ballet in February 1999. He became a soloist in 2006, and taught in the School of American Ballet as a guest faculty. The following year, he was promoted to principal dancer, and joined SAB's permanent faculty.
Miranda Weese (born 1973 or 1974) [1] is an American former ballet dancer, teacher and ballet master. She joined the New York City Ballet in 1993 and was promoted to principal dancer in 1996. In 2007, she left to perform with the Pacific Northwest Ballet, first as a guest artist, then joined the company as a principal dancer, before retiring in ...
At 17, Kretzschmar moved to New York City to attend the School of American Ballet at Lincoln Center, where she studied under Suki Schorer, Suzi Pillare, Kay Mazzo, Peter Martins, Sean Lavery, and Andrei Kramarevsky. [3] [2] In 2010, she joined the New York City Ballet as an apprentice. In 2011, Kretzschmar was promoted into the corps de ballet.
She moved permanently to New York at age 15, again on a Ford Foundation scholarship to the School of American Ballet. Watts joined the New York City Ballet in 1970 and was promoted to principal dancer by company co-founder George Balanchine in 1979. Balanchine took Watts into his company "because he would not let such a talent disappear ...
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