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The following is a list of musical instruments from the Africa continent as well as their countries or regions of origin. A ... Banjo music; Batá drum (Nigeria ...
Besides vocalisation, which uses various techniques such as complex hard melisma and yodel, a wide array of musical instruments are also used. African musical instruments include a wide range of drums, slit gongs, rattles and double bells, different types of harps, and harp-like instruments such as the kora and the ngoni, as well as fiddles ...
Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [ 1 ] ), play, and other songs .
The Music and dance of the Maasai people used no instruments in the past because as semi-nomadic Nilotic pastoralists instruments were considered too cumbersome to move. Traditional Maasai music is strictly polyphonic vocal music , a group chanting polyphonic rhythms while soloists take turns singing verses.
Traditional music of West Africa incorporates the use of a variety of percussive instruments, the most popular of which is the djembe. Known also as the 'magic drum' or the 'healing drum', the djembe is spiritually important to West African tradition as it is believed that three spirits reside within the drum .
Pages in category "African musical instruments" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. A.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
The most fundamental cross-rhythm in Ewe music, and Sub-Saharan African music traditions in general, is three-against-two (3:2), or six-against-four (6:4), also known as a vertical hemiola. The cycle of two or four beats are the main beat scheme, while the triple beat scheme is secondary.