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Drums used in African traditional music include talking drums, bougarabou and djembe in West Africa, water drums in Central and West Africa, and the different types of ngoma drums (or engoma) in Central and Southern Africa.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
African music relies heavily on fast-paced, upbeat rhythmic drum playing found all over the continent, though some styles, such as the Township music of South Africa do not make much use of the drum and nomadic groups such as the Maasai do not traditionally use drums. Elsewhere the drum is the sign of life: its beat is the heartbeat of the ...
Islam-influenced West African music commonly includes the use of stringed instruments like the goje, while more secular traditional West African music incorporates greater use of drums such as the djembe. Contemporary styles of music in West Africa have been influenced by American music, African jazz and gospel music. [2]
Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music. Music of the African diaspora was mostly refined and ...
Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often. It can also be found in the music of the Afro-Caribbean populations of Jamaica , Trinidad & Tobago , Bahamas , Barbados , Belize , and many nations of the diaspora, especially Brazil.
It is used in playing Mbalax music of Senegal and in Fuji and Jùjú music of Nigeria (where it is known as a dùndún, not to be confused with the dundun bass drum of the Mandé peoples). [17] The talking drum is also used in ceremonial functions and events like weddings, burial ceremonies, private functions and most importantly it is commonly ...