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The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
Finger-tapping consists of placing one hand with the finger pads on the keyboard, with the PIP joint as the highest point, and then using the other hand to tap on the DIP joint or the fingertips, then releasing the fingers, allowing them to return quickly to the surface.
Another example being The art of piano playing: a scientific approach by George A. Kochevitsky, who explains some of the fundamentals in teaching the piano. In his chapter on Progressive ideas in nineteenth-century teaching he explains some of Chopin's idea's (see above), there is a mention of five-finger exercises.
Piedmont blues (also known as East Coast, or Southeastern blues) refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern [1] supports a syncopated melody using the treble strings generally picked with the fore-finger, occasionally others. [2]
La Pompe is the rhythmic pattern used in gypsy jazz. This form of percussive rhythm is similar to the "boom-chick" in stride piano. The first beat is a staccato chord, emphasizing the lower strings with a more "bassy" sound, produced by a down stroke; the fretting hand immediately afterward releases the strings slightly to deaden them. The next ...
A constant finger picking pattern will produce a constant musical pattern throughout the instrument's range. Throughout the playing range the notes of a scale rise strictly alternately and symmetrically, making all the intervals of adjacent strings on each side of the bridge in thirds.
Tapping is an extended technique, executed by using either hand to 'tap' the strings against the fingerboard, thus producing legato notes. Tapping generally incorporates pull-offs or hammer-ons.
The fingerpicking guitar figure was replaced with flatpicking, and the slower-paced instrumentation was typical of early 1970s Southern Californian folk rock — drums, bass, piano, acoustic guitar, but most prominently with David Lindley's slide guitar, a feature of Browne's early albums, but also with Jim Keltner on drums and David Paich on ...
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