Search results
Results from the WOW.Com Content Network
Sankyoku (Japanese: 三曲 / さんきょく) is a form of Japanese chamber music played often with a vocal accompaniment. It is traditionally played on shamisen , koto , and kokyū , but more recently the kokyū has been replaced by shakuhachi .
Pages in category "Arts and Crafts movement artists" The following 126 pages are in this category, out of 126 total. This list may not reflect recent changes .
Media related to Judo Nage-waza at Wikimedia Commons Gokyo-no-waza (五教の技): Five sets of techniques Techniques are put into five groups of increasing difficulty that demonstrate progression through judo and may or may not correspond to belts.
In performance the audience leaves the daily reality to move into a mode of make-believe, "what if". That this fits well with all types of verbal lore, music, and movement, where reality finds little footing among the symbols, fantasies, and nonsense of traditional tales, proverbs, and jokes is self-evident. Customs and the lore of children and ...
The Onkyo music movement or Onkyokei (音響系, Onkyōkei) (translation: "reverberation of sound" [1]) is a form of free improvisation, emerging from Japan in the late 1990s. Onkyō can be translated as "sound, noise, echo". [ 2 ]
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
Dalcroze eurhythmics, also known as the Dalcroze method or simply eurhythmics, is a developmental approach to music education.Eurhythmics was developed in the early 20th century by Swiss musician and educator Émile Jaques-Dalcroze and has influenced later music education methods, including the Kodály method, Orff Schulwerk and Suzuki Method.
Yanagi cautioned against the Korean independence movement. [6] In 1926, the Folk Art Movement was formally declared by Yanagi. He rescued lowly pots used by commoners in the Edo and Meiji periods that were disappearing in rapidly urbanizing Japan. In 1936, the Japanese Folk Crafts Museum (Nihon Mingeikan) was established.