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The Umbrella Project (1991), art installation by Christo, Ibaraki, Japan The ephemeral nature of certain artistic expressions is above all a subjective concept subject to the very definition of art, a controversial term open to multiple meanings, which have oscillated and evolved over time and geographic space, since the term "art" has not been understood in the same way in all times and places.
[57] [82] [a] Performance art has frequently been described as ephemeral in nature; with regards to historical performances, the traces: playbills, scrapbooks of newspaper clippings and material artifacts are themselves ephemeral. [85] [86] Literature is ephemeral, including definitions and "all printed texts".
One definition for ephemera is "the minor transient documents of everyday life". [3] [4] Ephemera are often paper-based, printed items, including menus, ticket stubs, newspapers, postcards, posters, sheet music, stickers, and greeting cards. However, since the 1990s, the term has been used to refer to digital artefacts or texts. [5]
Elaine Scarry (born June 30, 1946) is an American essayist and professor of English and American Literature and Language. She is the Walter M. Cabot Professor of Aesthetics and the General Theory of Value at Harvard University .
The Dehumanization of Art and Other Essays on Art, Culture, and Literature is the first English translation of philosopher José Ortega y Gasset's La deshumanización del Arte e Ideas sobre la novela, published in 1925. This composition includes three more essays in addition to Ortega's original work.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
The essay is an attempt by Eliot to define the boundaries of literary criticism: to say what does, and what does not, constitute truly literary criticism, as opposed to, for example, a study in history based upon a work of literature. The essay is significant because it represents Eliot's response to the New Critical perspective which had taken ...
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, [1] often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art , either real or imagined.