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Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent. Most Victorian figures (1837 to 1900) were designed to stand on a shelf or mantlepiece and are therefore only modelled and decorated where visible from the front and sides. These are known as 'flatbacks'.
Staffordshire dog figurines are matching pairs of pottery spaniel dogs, standing guard, which were habitually placed on mantelpieces in 19th-century homes. Mainly manufactured in Staffordshire pottery , these earthenware figures were also made in other English counties and in Scotland.
Animal figurines are figurines that represent animals, either as decorative pieces, toys or collectibles. They are often made of plastic, ceramics, or metal. The earthenware Staffordshire figures of the 18th and 19th centuries were enormously popular, with Staffordshire dog figurines the most popular; these were typically made in pairs.
The groups are usually in salt-glazed stoneware, of a Staffordshire type newly developed in the 1730s by John Astbury, which was mostly used for tablewares. [14] This is unlike the single but smaller Staffordshire figures, which are usually in glazed earthenware, which may be agateware, mixing white and brown clay immediately before shaping to give a marbled effect.
Parian ware was utilised mainly for busts and figurines, and occasionally for dishes and small vases, [5] such as might be carved from marble. In 1845, as part of a concerted effort to raise public taste and improve manufactures, the Art Union of London commissioned Copeland to make a series of figures after works by leading contemporary sculptors.
The Gladstone Pottery Museum is a working museum of a medium-sized coal-fired pottery, typical of those once common in the North Staffordshire area of England from the time of the Industrial Revolution in the 18th century to the mid 20th century. It is a grade II* listed building. [1] The museum is located in Longton, Stoke-on-Trent, Staffordshire.
The Staffordshire Potteries is the industrial area encompassing the six towns Burslem, Fenton, Hanley, Longton, Tunstall and Stoke (which is now the city of Stoke-on-Trent) in Staffordshire, England. [1] North Staffordshire became a centre of ceramic production in the early 17th century, [2] due to the local availability of clay, salt, lead and ...
Those created during the earlier period were intended as a more serious decorative art, often imitating the more expensive imported English Staffordshire potteries figurines such as Staffordshire dog figurines; those during the second period, by contrast, were more typically somewhat jocular. Early chalkware was often hollow and is difficult to ...
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