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The Color Purple: Music From the Motion Picture is the soundtrack album to the film of the same name released in November 1986 by Qwest Records. It consists of an original score composed by Quincy Jones and original songs performed by various artists. The score of the film combines elements of classical and period jazz, blues, and gospel, and ...
Miss Celie's Blues. " Miss Celie's Blues ", also known as "Sister", is a song from the Steven Spielberg film The Color Purple (1985), with music by Quincy Jones and Rod Temperton and lyrics by the two of them with Lionel Richie, performed by Táta Vega. The song was nominated for an Academy Award for Best Music, Original Song in 1986.
And he leaned in with his purple attire, purple guitar and purple piano. After his 2016 death, his estate worked with Pantone to come up with an official Prince purple, dubbed “Love Symbol #1.”
Purple Rain (song) " Purple Rain " is a song by the American musician Prince and his backing band the Revolution. It is the title track from the 1984 album of the same name, which in turn is the soundtrack album for the 1984 film of the same name starring Prince, and was released as the third single from the album.
“The irony of the song being about two sisters… Chi and I, our relationship and how we’ve been doing this for so long and the trials we face as a duo and as sisters, I think there’s an ...
“The Color Purple” catalogs a staggering amount of trauma, but takes no pleasure in depicting it — that can be challenging in stories where a character is made to suffer for years before ...
"Stairway to Heaven" is a song by the English rock band Led Zeppelin, released on 8 November 1971 on the band's untitled fourth studio album (commonly known as Led Zeppelin IV), by Atlantic Records. Composed by the band's guitarist Jimmy Page with lyrics written by lead singer Robert Plant , it is widely regarded as one of the greatest rock ...
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...