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The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
The color was mixed with "soft" glass, a kind of glass with a low melting point, which would allow the mixture to be fused directly with the glass of the windows. [ 21 ] The painters placed the window section on an open easel placed before a window, or put the glass flat onto a transparent table, so the artist could see the effect of the light ...
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
A stained glass window is a window composed of pieces of colored glass, transparent, translucent or opaque, frequently portraying persons or scenes. Typically the glass in these windows is separated by lead glazing bars. Stained glass windows were popular in Victorian houses and some Wrightian houses, and are especially common in churches. [23]
The Cologne Cathedral Window is the stained glass window in the south transept of the Cologne Cathedral designed by Cologne artist Gerhard Richter. On a surface of 106 square metres, 11,263 glass squares in 72 colours of 9,6 cm × 9.6 cm were principally arranged randomly, with others selected in response to architectural context. [ 1 ]
Much of the glass is in the style of Chartres Cathedral with deep blue featuring as the background colour in most windows. There are wide borders of stylised floral motifs and small pictorial panels of round, square or diaper shape. Other windows contain rows of apostles, saints and prophets.