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End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
someone who is very good at something (tennis) a winning serve in which the receiver does not touch the ball fighter pilot who has shot down at least 5 enemy aircraft an asexual person (slang) (v.) to perform outstandingly *; esp., to achieve an A (on a school exam) (n.) the best starting pitcher in a rotation on a baseball team advert
As much as we may want—or need—to write a love poem, it’s often difficult to find a language that adequately expresses the way we feel. For one thing, it’s hard to strike the right tone.
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
Romantic love is also often used as a synonym for passionate love, also called "being in love", and also often associated with limerence. [11] [74] Academic literature has never universally adopted a single term for this. [11] Helen Fisher has commented that she prefers the term "romantic love" because she thinks it has meaning in society. [24]
The lines have a powerful, rolling, and very evident rhythm, and they rhyme in a way that is impossible to ignore. In other words, the physicality of the language—how it sounds and feels—accounts for a large measure of the poem's effect. The poem does not have a deep, hidden, symbolic meaning. Rather, it is simply pleasurable to read, say ...
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