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The predecessor of the Venezuelan cuatro is the four-string Spanish renaissance guitar which disappeared in the 16th century after a short period of surging popularity. In the 1950s, Fredy Reyna documented the evolution of the renaissance guitar into the current Venezuelan Cuatro, and reinvented the cuatro as a solo instrument, equally capable ...
The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar . Although some have viola -like shapes, most cuatros resemble a small to mid-sized classical guitar .
Fredy Reyna (April 3, 1917 - March 26, 2001) was a Venezuelan musician, arranger and performer, regarded as one of the two masters of the Venezuelan cuatro, which he elevated to the level of a concert instrument, and one of his country's most important cultural figures in the 20th century.
Juan Carlos Salazar (April 2, 1962 – September 20, 2024) [1] was a Venezuelan-born singer and cuatro player. Salazar was born in Caripito, a small oil town in the State of Monagas. Interested in singing, the guitar, and the cuatro from an early age, Salazar learned to play by ear and later took piano lessons in Fort Collins, Colorado.
This set category contains articles about Venezuelan musicians who play the cuatro. Pages in category "Venezuelan cuatro players" The following 4 pages are in this category, out of 4 total.
Cheo Hurtado (born May 2, 1960) is a Venezuelan musician, one of the most celebrated virtuoso performers of the cuatro, whose extremely agile strumming technique is currently believed to be unsurpassed. He also plays mandolin, bandola and guitar.
The Venezuelan cuatro is a member of the guitar family, smaller in size and with four nylon strings. It is similar in size and construction to the ukulele. The traditional "Camburpinton" tuning is re-entrant (A 3 –D 4 –F ♯ 4 –B 3), but with the re-entry between the second and first strings, rather than between third and fourth as in the ...
Joropo in the Venezuelan region of Guayana is the product of the interaction of llaneros and eastern Bolivar state, specifically in Ciudad Bolívar. It is executed with the Guayanese mandolin (eight metal strings), cuatro and maracas.
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