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The Revelers Vase is a Greek vase originating from the Archaic Period. Painted around 510 BCE in the red figure pottery style, the Revelers vase was found in an Etruscan tomb in Vulci , Italy. The painting is attributed to Euthymides .
The vases have been described as the "best-known porcelain vases in the world" [1] and among the most important blue-and-white Chinese porcelains. [2] Though they are fine examples of their type, their special significance comes from the date in the inscriptions on the vases. [1]
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
The lower body is shaped like the calyx of a flower, and the foot is stepped. The psykter-shaped vase fits inside it so well stylistically that it has been suggested that the two might have often been made as a set. It is always made with two robust upturned handles positioned on opposite sides of the lower body or "cul". [7]
Banshan urns are characterized by a short, narrow neck atop a wide-shouldered vessel tapering to an often very narrow base; there are usually two ring handles attached to the middle of the vessel, and the ornament is slip-painted in purplish black and plum-red pigments. The designs frequently comprise four large roundels, linked by strongly ...
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
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The Medici Vase on Display in the Galleria degli Uffizi in Florence Etching by Stefano della Bella (1656); the young Grand Duke Cosimo III drawing the vase at the Villa Medici, Rome. The Medici Vase is a monumental marble bell-shaped krater sculpted in Athens in the second half of the 1st century AD as a garden ornament for the Roman market.
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