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The final import is intellectual, but the occurrence is emotional as well. Aesthetic experience cannot be sharply marked off from other experiences, but in an aesthetic experience, structure may be immediately felt and recognized, there is completeness and unity and necessarily emotion. Emotion is the moving and cementing force.
Aesthetic experience refers to the sensory contemplation or appreciation of an object (not necessarily a work of art), while artistic judgment refers to the recognition, appreciation or criticism of art in general or a specific work of art. In the words of one philosopher, "Philosophy of art is about art.
Aesthetic experiences are an emergent property of interactions among a triad of neural systems that involve sensory-motor, emotion-valuation, and meaning-knowledge circuitry. [16] [31] Understanding that much of the research done on neuroaesthetics utilizes the aesthetic triad. The aesthetic triad are the components of the neural system ...
The British were largely divided into intuitionist and analytic camps. The intuitionists believed that aesthetic experience was disclosed by a single mental faculty of some kind. For Anthony Ashley-Cooper, 3rd Earl of Shaftesbury this was identical to the moral sense, beauty just is the sensory version of moral goodness.
Experimental aesthetics is a field of psychology founded by Gustav Theodor Fechner in the 19th century. According to Fechner, aesthetics is an experiential perception which is empirically comprehensible in light of the characteristics of the subject undergoing the experience and those of the object.
The aesthetic experience encompasses the relationship between the viewer and the art object. In terms of the artist, there is an emotional attachment that drives the focus of the art. An artist must be completely in-tune with the art object in order to enrich its creation. [ 22 ]
Aesthetic experience is a central concept in the psychology of art and experimental aesthetics. [114] It refers to the experience of aesthetic objects, in particular, concerning beauty and art. [115] There is no general agreement on the fundamental features common to all aesthetic experiences.
The feeling is predicted to be related to similar aesthetic experiences such as awe, feeling touched, or absorption. [16] Personality traits along the Big 5 Inventory have been shown to be predictors of a person's experience of aesthetic chills, especially a high rating on Openness to Experience. [16]