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Kimbel & Cabus display at the 1876 Centennial Exposition. Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel (c. 1821 –1895) [1] and French-born cabinetmaker Joseph Cabus (1824–1894).
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
The framing technique was used from the 13th century onwards to clad interior walls, [5] to form choir stalls, and to manufacture moveable and semi-moveable furniture, such as chests and presses, and even the back panels of joined chairs. Linenfold was developed as a simple technique to decorate the flat surfaces of the ubiquitous panels thus ...
Modern Gothic exhibition cabinet (c. 1877–1880) is a piece of Modern Gothic furniture now in the collection of the Metropolitan Museum of Art. Although its design was once attributed to Philadelphia architect Frank Furness and furniture maker Daniel Pabst , MMA now credits its design and manufacture to Pabst alone.
"Interior View of Dining-Room" (1876), illustration by Bruce James Talbert.. Modern Gothic, also known as Reformed Gothic, was an Aesthetic Movement style of the 1860s and 1870s in architecture, furniture and decorative arts, that was popular in Great Britain and the United States.
The importation of furniture into England from Flanders and Holland was so significant that a hundred years earlier a law was enacted forbidding the practice — nevertheless carved woodwork was one of the important articles of commerce with the Low Countries, and the country homes of England of this period were filled with articles of Dutch ...
Born in Langenstein, Hesse, Germany, Pabst immigrated to the U.S. in 1849 and settled in Philadelphia, Pennsylvania, where he would make his professional career.The excellence of his craftsmanship elevated him above his peers, as did the strongly architectonic (building-like) quality of his furniture designs—often massively scaled, with columns, pilasters, rounded and Gothic arches, bold ...
Louis Philippe furniture had the same types and forms as the earlier French Restoration style, but with less decoration; comfort was the primary consideration. The Louis Philippe commode, with a marble top and a marquetry covering, was a popular example of the style.
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