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"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
Sad as the last which reddens over one That sinks with all we love below the verge; So sad, so fresh, the days that are no more. Ah, sad and strange as in dark summer dawns The earliest pipe of half-awaken'd birds To dying ears, when unto dying eyes The casement slowly grows a glimmering square; So sad, so strange, the days that are no more.
"I'm Like All Lovers" is a poem by Australian poet Lesbia Harford. [1] It was written in 1917, though first published in the poet's collection The Poems of Lesbia Harford in 1941 under the title "Poems XIV", and later in other Australian poetry anthologies.
The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man nearby approaches the woman and asks the reason for her sorrow. She responds by telling him of a former lover who pursued, seduced, and finally abandoned her.
Mad Girl's Love Song" is a poem written by Sylvia Plath in villanelle form that was published in the August 1953 issue of Mademoiselle, a New York based magazine geared toward young women. [1] The poem explores a young woman's struggle between memory and madness. [ 2 ]
The Raven and Other Poems, Wiley and Putnam, New York, 1845 Poe first brought "The Raven" to his friend and former employer George Rex Graham of Graham's Magazine in Philadelphia. Graham declined the poem, which may not have been in its final version, though he gave Poe $15 (equivalent to $491 in 2023) as charity. [ 31 ]
The poem is settled in the rose, to the point that the poem’s tone is one of sweet, suffering melancholy, a tone that is reaching for the sublime. In the 1890s, says Stephen Coote, Yeats was concerned for the "spiritual regeneration of his people": he felt that a spiritual posture of awe, a posture taken before those things that were ...
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.