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Free tekno, also known as tekno, freetekno and hardtek, is the music predominantly played at free parties in Europe. The spelling tekno is deliberately used to differentiate the musical style from techno. The music is fast and it can vary between 150 and 185 bpm and is characterised by a pounding repetitive kick drum. [1]
Mainstream hardcore, mainstyle or nu style gabber is a subgenre of hardcore techno.The essence of mainstream hardcore sound is a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone.
The Bonkers name was based on the bar with the same name at Butlins Minehead (which has since changed to an Irish Bar). DJ Hixxy said in an interview with Vice “React wanted to sign 'Toytown', so we went up to London to meet them.
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
5 Sample packs. 6 References. ... Flat Pack We Play 2007 Freak in the Morning ... Dorian Grey Techno Club Moguai Sony Music 2002 Headliners
DJ-Kicks started out in 1993 as a compilation of electronic DJ-style mixes in the techno or house genres, with the then-novel twist of being targeted to a home listening audience. [2]
Breakbeat hardcore (also referred to as hardcore rave, oldskool hardcore or simply hardcore) is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop.
The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as "happy hardcore" where piano rolls and uplifting vocals were still central to the sound. [2]
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