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The work consists of an "outward" section labeled Original, followed by a "return" section labeled Miroir (Mirror), each lasting about 15 minutes. [3] Each section is composed of six sheets or cahiers (notebooks) marked A–F. [4] In the solo clarinet version, the performer plays the six Original sections in a sequence he or she chooses, after which the six Miroir sections are played. [4]
"A Thousand Years" is a ballad recorded by American singer and songwriter Christina Perri, written by Perri and her producer David Hodges, for The Twilight Saga: Breaking Dawn – Part 1. The song was released worldwide as a digital download on October 18, 2011 and serves as the second single by Atlantic Records from the movie's official ...
Sergei Prokofiev: Sonata for Clarinet and Piano, Op.94 (1943), originally for flute, also arranged for violin; Mario Castelnuovo-Tedesco: Sonata for Clarinet and Piano, Op. 128 (1945) Nino Rota: Sonata in D major for Clarinet and Piano (1945) Mieczysław Weinberg: Sonata for Clarinet and Piano, Op. 28 (1945) Herbert Howells: Clarinet Sonata ...
[27] [28] By May 2003 the website Musicnotes had sold a record 10,000 pieces of digital sheet music for "A Thousand Miles", and it won the website's "Song of the Year" award. [29] The song's production team was nominated for a 2003 Technical Excellence & Creativity Award in the category of Outstanding Creative Achievement in Record Production ...
Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [ 8 ] William Henry Bell – Clarinet Sonata in D minor (1926) [ 5 ]
A Thousand Years may refer to: "A Thousand Years" (Christina Perri song) "A Thousand Years" (Tom Dice song) "A Thousand Years", a song by Toto from the album The Seventh One "A Thousand Years", a song by Sting from the album Brand New Day; A Thousand Years, an art installation by Damien Hirst
Suite for three clarinets (E ♭, B ♭, and bass), violin, viola, violoncello and piano, Op. 29 (1925) (with ossia flute and bassoon parts substituting for E ♭ and bass clarinet) Sonata for violin and piano (1927) (a 43-bar fragment)
Unusually in a music that values improvisation, it became a set piece. Commonly, later clarinetists would solo once through reproducing or sticking close to Picou's solo, and then do their own improvisations on a second solo. He often played on an unusual Albert Penzel-Mueler alto clarinet with the horn bent upwards instead of straight ahead.