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Don't Blame Me may refer to: Don't Blame Me, an Australian children's program; Don't Blame Me; Don't Blame Me by Marc Ribot "Don't Blame Me" (Dorothy Fields and Jimmy McHugh song), first published in 1933 "Don't Blame Me" (Taylor Swift song), from the album Reputation (2017) "Don't Blame Me", a song by Little River Band from Playing to Win
Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show Clowns in Clover and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo , and Charles Agnew .
"Don't Blame Me" is a song by the American singer-songwriter Taylor Swift from her sixth studio album, Reputation (2017). Written by Swift and the song's producers, Max Martin and Shellback, "Don't Blame Me" combines electropop, EDM, and gospel pop. Its production is driven by heavy bass, pulsing synthesizers, and manipulated vocals. The lyrics ...
Don't Blame Me" originally appeared as the B-Side to "Merry Xmas Everybody". [18] In a 1979 fan club interview, Lea said of the song: ""Don't Blame Me" was a time-filler, I think that it was created as that. When it was used as a B-Side, we didn't even know it was being used, it was chosen by the offices." [19]
Don't Blame Me 1973 Old New Borrowed and Blue Holder, Lea Don't Talk to Me About Love 1987 B-Side of "Still the Same" single Holder, Lea Don't Tame a Hurricane 1983 Keep Your Hands Off My Power Supply Holder, Lea Don't Waste Your Time (Back Seat Star) 1979 Return to Base Holder, Lea Everybody's Next One 1969 Beginnings (as Ambrose Slade)
This list is of songs that have been interpolated by other songs. Songs that are cover versions, parodies, or use samples of other songs are not "interpolations". The list is organized under the name of the artist whose song is interpolated followed by the title of the song, and then the interpolating artist and their song.
The AllMusic review by Brian Beatty stated: "Though probably a must-have for completists and ardent fans of New York City's downtown avant-garde, Don't Blame Me isn't the place for the uninitiated to begin". [4] Writing in The Village Voice, Gary Giddins wrote: "Ribot suggested a new potential in his playing. Don't Blame Me delivers on it. Here ...
After the success of "I Shot the Sheriff", Clapton and his backing band went to Jamaica to record There's One in Every Crowd.The songs "Swing Low, Sweet Chariot", "Little Rachel" and "Don't Blame Me" are recorded in a reggae style, though the rest of the record is considered blues and rock.