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This file has an extracted image: My Blue Heaven (1927) sheet music cover.jpg. Licensing This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
Smith plays both piano and electric keyboards and keeps his compositions on the jazzy side -- breezy, open, and full of groove playing that occasionally falls over to the funk side of the fence ... Summery and loose in feel, airy and free with its in-the-cut beats and stellar piano fills, Expansions prefigures a number of the "smooth jazz ...
[2] [3] Musical prodigies, they began performing as a piano duo while still in school. After graduating, they joined the Juilliard faculty. After graduating, they joined the Juilliard faculty. In 1947, they launched a full-time concert career, at first playing nightclubs, then quickly moving up to playing classical music with orchestral backing.
It opens with a dark and ominous theme shared between the violin and cello, accompanied by widely spaced chords in the piano. The second subject presents a new lyrical contrasting theme. After a dramatic development section, the movement ends boldly with an unexpected plagal cadence in E minor.
Variations 1,3, and 5 draw from the theme's melody, while variations 2 and 4 rely more on figures of the piano's accompaniment. [5] The movement features frequent syncopation especially in the coda, and the cello often echoes the violin in inversion. [6] The material of the theme was originally composed: inspired by traditional Hungarian ...
Keyboard Sonatas, Free Fantasies, and Rondos (1783) – Keyboard Sonata in G major (Wq 58:2) H 274. Keyboard Sonatas, Free Fantasies, and Rondos (1783) – Rondo for keyboard in E major (Wq 58:3) H 275. Canzonetta der Herzogin von Gotha (Wq 118:8) H 276. Keyboard Sonatas, Free Fantasies, and Rondos (1783) – Rondo for keyboard in A major (Wq ...
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Paul Wittgenstein at the piano. In preparing for composition, Ravel studied several pieces written for one-handed piano, including Camille Saint-Saëns's Six Études pour la main gauche (Six Études for the Left Hand) (Op. 135), Leopold Godowsky's transcription for the left hand of Frédéric Chopin's Etudes (Opp. 10 and 25), Carl Czerny's Ecole de la main gauche (School of the Left Hand) (Op ...
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