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This birdbath is constructed from large, smooth stones laid in concentric, circular tiers, set in a thick concrete mortar. The large basin of the bath curves out from a more cylindrical pedestal that slopes out a bit toward the ground. The overall silhouette resembles a chalice. The basin is lined with a coating of concrete and has been re ...
First, the wood is cut, sanded and prepared with beveled grooves that make each plank appear as if it were a series of stone blocks. Second, the wood is painted with a thick coat of paint. Third, while the paint is still wet, sand is thrown or air blasted onto the planks until no more sand will stick. After the paint dries the plank is ready ...
A sett, also known as a block or Belgian block, [1] is a broadly rectangular quarried stone used in paving roads and walkways. [ 2 ] [ 3 ] Formerly in widespread use, particularly on steeper streets because setts provided horses' hooves with better grip than a smooth surface, they are now encountered more usually as decorative stone paving in ...
A menhir (/ ˈ m ɛ n h ɪər /; [1] from Brittonic languages: maen or men, "stone" and hir or hîr, "long" [2]), standing stone, orthostat, or lith is a large upright stone, emplaced in the ground by humans, typically dating from the European middle Bronze Age. They can be found individually as monoliths, or as part of a group of similar ...
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
Each stone is well-embedded into the soil, and many have "trigger-stones" to support them. Particularly fine examples are in the state of Victoria, where some examples have very large stones. For example, the stone arrangement at Wurdi Youang consists of about 100 stones arranged in an egg-shaped oval about 50 metres (160 ft) across.
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Surviving stone and wood carvings, wall paintings and tapestries suggest the richness of sixteenth century royal art. At Stirling Castle , stone carvings on the royal palace from the reign of James V are taken from German patterns, [ 32 ] and like the surviving carved oak portrait roundels from the King's Presence Chamber, known as the Stirling ...
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