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A one-liner is a joke that is delivered in a single line. A good one-liner is said to be pithy – concise and meaningful. [1] Comedians and actors use this comedic method as part of their performance, and many fictional characters are also known to deliver one-liners, including James Bond, who often makes pithy and laconic quips after disposing of a villain.
These depicted simple, cartoon-like situations, eliminating lengthy build-ups and going straight to the punch line. Known as "the King of the One-Liners", a title conferred to him by columnist Walter Winchell, a stage performance by Youngman lasted only 15 to 20 minutes but contained dozens of jokes in rapid succession.
One-liner may refer to: One-line joke; One-liner program, textual input to the command-line of an operating system shell that performs some function in just one line of input; Tagline, a variant of a branding slogan typically used in marketing materials and advertising; one-line haiku
"Hopscotch to oblivion" in Barcelona, Spain, alluding to suicide A cemetery with a "Dead End" sign, creating a play on words. Black comedy, also known as black humor, bleak comedy, dark comedy, dark humor, gallows humor or morbid humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or ...
Along with reports of events, executions, ballads and verse, they also contained jokes. Only one of many broadsides archived in the Harvard library is described as "1706. Grinning made easy; or, Funny Dick's unrivalled collection of curious, comical, odd, droll, humorous, witty, whimsical, laughable, and eccentric jests, jokes, bulls, epigrams, &c.
Young's conception of oppression does not involve an "active oppressor". This means that oppression can occur without people actively oppressing others. [14] Specifically, Young argues that. oppression is the inhibition of a group through a vast network of everyday practices, attitudes, assumptions, behaviors, and institutional rules.
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Much of Augusto Boal's theatrical process requires a neutral party to be at the centre of proceedings. This individual is usually called the "facilitator". In Boal's literature this role is referred to as the "joker", in reference to the neutrality of the Joker card in a deck of playing cards.