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In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
The Natya Shastra describes 24 mudras, while the Abhinaya Darpana of Nandikeshvara gives 28. [17] In all their forms of Indian classical dance, the mudras are similar, though the names and uses vary. There are 28 (or 32) root mudras in Bharatanatyam, 24 in Kathakali and 20 in Odissi. These root mudras are combined in different ways, like one ...
Rajashree Warrier is one of India's foremost Bharatanatyam Dancers. She is also a Musician, writer and Educator. Holds a Phd. in Music from the Department of Music, Kerala University. She is a pioneer in introducing Malayalam poems, folk music and compositions of Social reformer Sree narayana guru in her dance choreographies. [1]
The arms of Shiva express mudras (symbolic hand gestures), [38] that are used in Bharatanatyam. [ 10 ] [ 39 ] The early 12th century ancient Sanskrit text Manasollasa discusses about the dancing movements like Natya , Tandava , Lasya , Laghu , Visama and Vikata, This discussion is similar to the content found in Natya Shastra .
Kerala Natanam (Kerala Dance) is a new style of dance that is now recognised as a distinct art form evolved from Kathakali, a form of Indian dance-drama.The Indian dancer Guru Gopinath a well-trained Kathakali artist and his wife Thankamani Gopinath who was the first student of Mohiniyattam in Kerala Kalamandalam developed a unique structure for teaching and performing classical dance forms of ...
Mudra: Mudras are hand gestures that are used to convey specific meanings in Indian classical dance. Mohiniyattam dancers use a variety of mudras to tell stories and express emotions. Tala and Laya: Tala (rhythm) and laya (tempo) are essential elements of Indian classical dance. Mohiniyattam dancers must have a strong sense of rhythm.
It describes the elaborate codified language of mudras (stylized gestures and symbolic signs by the hands and body posture used in Bharatanatyam and Kathakali) as angikabhinaya, meaning body-expressions.
It is a part of Indian classical dance postures such as Bharatanatyam, [1] yoga practice, [2] and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. [1]