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These modes are sometimes referred to as the whole step/half-step diminished scale and the half-step/whole step diminished scale, respectively. [10] Each of the three distinct scales can form differently named scales with the same sequence of tones by starting at a different point in the scale.
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
The second mode, also called the octatonic, diminished, whole-half, or half-whole scale, is divided into four groups of three notes each. It contains the intervals semitone, tone, semitone, tone, semitone, tone, semitone, tone – it has three transpositions, like the diminished 7th chord, and two modes:
Half diminished scale: Half diminished scale on C. Play ... Slendro on C compared to a whole tone scale on C. Play ...
The flattened seventh of the scale is a tritone away from the mediant (major-third degree) of the key. The order of whole tones and semitones in a Mixolydian scale is whole, whole, half, whole, whole, half, whole. In the Mixolydian mode, the tonic, subdominant, and subtonic triads are all major, the mediant is diminished, and the remaining ...
The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
Locrian is the word used to describe an ancient Greek tribe that habited the three regions of Locris. [1] Although the term occurs in several classical authors on music theory, including Cleonides (as an octave species) and Athenaeus (as an obsolete harmonia), there is no warrant for the modern use of Locrian as equivalent to Glarean's hyperaeolian mode, in either classical, Renaissance, or ...
Because of the repetition of the interval pattern after only two notes, each note in the scale can be the root in another symmetric diminished scale. For example, the C diminished scale of the half-step-first type, has the same notes as the half-step-first E ♭ diminished scale as well as the whole-step-first D ♭ diminished scale. All three ...
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