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On an episode of Cake Boss, Buddy and his bakers visited Sesame Street, and Danny could be seen inside Oscar's trash can. He tries his best Oscar impression by saying "I live in the trash." Oscar can also be seen at the end when Buddy reveals his cake, but then goes back in his trash can, ostensibly to get away from the laughing and cheering.
In the song, Oscar sings about the trash he so admires; he presents a tattered and worn sneaker that's covered with holes and has torn laces ("A gift from my mother the day I was born..."), a 13-month old newspaper with smelly, cold fish wrapped inside (a piece of waste that Oscar affirms he "wouldn't trade for a big pot of gold"), a defective ...
In the episode Sesame Street Visits the Firehouse, Gordon mentions that Oscar's trash can has "Two elephants, a puppy, a rhino, a goat, and a worm." The interior of Oscar's trash can was first explored in the 1999 film The Adventures of Elmo in Grouchland when Elmo impatiently enters the trash can in search of his blanket. In Season 46, as part ...
Disney Pixar's first film, "Toy Story," is of our top 5 favorite pixar films ever...if not number one.SEE ALSO: The top 5 most ridiculously priced Disney VHS tapes The first of the trilogy was ...
Though Big Bird and Oscar were his main characters, Spinney also performed as other characters. At one point, he created and performed Bruno the Trashman, a full-bodied puppet representing a garbage man, who also carried Oscar's trash can. Bruno was used until the foam plastic of the character broke down. [17]
Recent titles like “Soul,” “Pinocchio” and “Spider-Man: Across the Spider-Verse” have come close, but only three animated films — “Beauty and the Beast,” “Up” and “Toy ...
Caroll Spinney as Big Bird, Oscar the Grouch and Bruno the Trashman; Jim Henson as Kermit the Frog and Ernie; Frank Oz as Cookie Monster, Bert and Grover; Jerry Nelson as Count von Count, Herry Monster, Simon Soundman, Sherlock Hemlock, The Amazing Mumford and Biff; Richard Hunt as Gladys, Bird Member #2, Sully and Elmo
The ongoing struggle to elevate animated features to the same level of best-picture recognition as live-action films will undoubtedly resurface by year’s end. This time, the spotlight will be on ...