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Glitch is a genre of electronic music that emerged in the 1990s which is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts. [1]The glitching sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction ...
Múm (stylized in lowercase) (Icelandic pronunciation:) is an Icelandic indietronica band whose music is characterized by soft vocals, electronic glitch beats and effects, and a variety of traditional and unconventional instruments.
This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology.A distinction has been made between sound produced using electromechanical means and that produced using electronic technology. [1]
Wonky is a subgenre of electronic dance music known primarily for its off-kilter or "unstable" beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. [1] [2] Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus.
The Glitch Mob is an American electronic music duo from Los Angeles, California. It consists of edIT (Edward Ma) and Ooah (Josh Mayer). Boreta (Justin Boreta) was a member of the group from its formation until 2023. Chris Martins of LA Weekly noted that they "have undoubtedly found the largest audience of any L.A. beat scene artist yet." [1]
This is a list of music genres and styles.Music can be described in terms of many genres and styles. Classifications are often arbitrary, and may be disputed and closely related forms often overlap.
Gillis' production on these releases is primarily a mixture of glitch beats and samples of pop hits, [7] but Unstoppable marks a turn towards a more "pop-oriented and accessible" approach characterized as "far more direct, using fewer and longer samples to create more recognizable mash-ups in the manner of early KLF singles". [8]
Featuring vocal performances from soprano Erika Mädi Jones, Meisha's Morning combined operatic vocals with ambience, glitch beats and a trip-hop sensibility that reviewers considered "an altogether more considered, computer-based work" compared to his work with The Butterfly and "a refreshingly different electronica record". [6]