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Real Jazz: 67 Mainstream, Traditional, Fusion, Acid Satellite Sirius XM Satellite Radio: N/A N/A Website: Watercolors: 66 Smooth Jazz Satellite Sirius XM Satellite Radio N/A N/A Website: WAEG: 92.3 MHz Smooth Jazz Terrestrial Perry Broadcasting: Evans Georgia (U.S. state) Website: WAJH: 91.1 MHz Smooth Jazz Terrestrial Alabama Jazz Hall of Fame ...
Gathering national, regional and local talents, the one-day affair at Columbia's Rose Park is a thoughtful and accessible entry into jazz. Meet the artists powering this year's free MO Jazz Music ...
A jazz club is a venue where the primary entertainment is the performance of live jazz music. Jazz clubs are usually a type of nightclub or bar, which is licensed to sell alcoholic beverages. Jazz clubs were in large rooms in the eras of Orchestral jazz and big band jazz, when bands were large and often augmented by a string section.
"Jazz Party" Jeffery Smith [37] September 17 "Secret Sauce" Paul Brown [38] September 24 "Highway 10" Ryan La Valette [39] October 1 "Bring It Back" Boney James featuring Dontae Winslow [40] October 8 "Secret Sauce" Paul Brown [41] October 15 "I'll Be the One" Le Sonic featuring Lauran Beluzo and Robert Lee [42] October 22 "Let's Get Down Tonight"
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Great American Music Hall, Tenderloin, San Francisco; Keystone Korner, North Beach, San Francisco [4] Kuumbwa Jazz Center, Downtown Santa Cruz [4] [1]: 5 Maybeck Recital Hall, Berkeley [4] Mr. Tipple's Recording Studio, San Francisco [1]: 5 Jazz Workshop, San Francisco; SF Jazz Center, San Francisco
Free jazz, or free form in the early to mid-1970s, [1] is a style of avant-garde jazz or an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s, when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes.
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