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[17] Ken Tucker of Entertainment Weekly wrote that "House had, in its final seasons, become a rather sentimental show" and the final episode was a "satisfying" and "fitting ending". [7] Some critics were less positive. Zack Handlen of The A.V. Club awarded the episode a D+ rating, stating: " 'Everybody Dies' is a failure of ambition." Handlen ...
"'Señor Blues' is a 12/8 Latin piece with a dark, exotic flavor that recalls no other jazz composer as much as Duke Ellington.The first two chords are E ♭ minor and B7, resembling (whether consciously intended or not) one of Ellington's favorite harmonic gestures."
"Spoonful" has a one-chord, modal blues structure found in other songs Dixon wrote for Howlin' Wolf, such as "Wang Dang Doodle" and "Back Door Man", and in Wolf's own "Smokestack Lightning". It uses eight-bar vocal sections with twelve-bar choruses and is performed at a medium blues tempo in the key of E. [ 5 ] Music critic Bill Janovitz ...
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. [8] These chords are similar with slight changes, but are all centered around the same key center.
House of the Blues is an album by blues musician John Lee Hooker, compiling tracks originally released as singles between 1951 and 1952. Chess Records issued the album in 1959. [ 1 ]
Memphis Slim historic home in Memphis. Memphis Slim was born John Len Chatman, in Memphis, Tennessee.For his first recordings, for Okeh Records in 1940, he used the name of his father, Peter Chatman (who sang, played piano and guitar, and operated juke joints); [3] it is commonly believed that he did so to honor his father.
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
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