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Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours 270 (manuscript) [6] [19] [20] A3 Premiered by Jonathan Powell. [19] Piano Symphony No. 4 Kaikhosru Shapurji Sorabji 4½ hours 240 (manuscript) A3 Premiered by Reinier van Houdt. [21] [22] [23] Opus clavicembalisticum: Kaikhosru Shapurji Sorabji 4 hours
Opus clavicembalisticum is a work for solo piano, notable for its length and difficulty, composed by Kaikhosru Shapurji Sorabji and completed on 25 June 1930. [1]At the time of its completion, it was the longest piano piece in existence, taking around 4–4½ hours to play, depending on tempo.
List of longest non-repetitive piano pieces; Concerto for solo piano; Piano symphony; 0–9. 4 Pièces caractéristiques (Clara Schumann) 4 Polonaises (Clara Schumann)
List of longest non-repetitive piano pieces; List of oratorios; List of organ symphonies; List of program music; List of solo cello pieces; List of solo violin pieces; List of sonatas; List of symphonic poems; List of symphonies by number; List of symphonies with names; List of tarantellas; List of violin sonatas
It is known to be the longest non-stop solo piano version ever performed. [21] [22] This performance was conducted alongside six dancers in conjunction with the Interdisciplinary Arts Collective. On 17–18 February 2024, Japanese artist Ai Onoda performed a non-stop solo of Vexations at the Yamagoya gallery and shop in Ebisu, Tokyo. [23]
Articles needing Expert Attention: Longest non-repetitive piano piece, La regata veneziana, Overture to an Italian Comedy, Elegischer Gesang, Indian Fantasy, Indian Suite, Rispetti e strambotti, Reflets dans l'eau, Slava! A Political Overture, In memoriam (Moore), John Serry, Sr.
Since 1993, Curran has worked on Inner Cities, a growing series of solo piano pieces that together form one of the longest non-repetitive piano pieces ever written. Daniela Tortora has edited a book about his work, Alvin Curran Live in Roma (Die Schachtel 2010).
The work bearing the name "Symphony II for Piano, Large Orchestra, Organ, Final Chorus, and Six Solo Voices" was intended as an orchestral work. Only the piano part (written 1930–31) was completed, yet it is one of Sorabji's longest piano compositions of all [6] and has been described as self-sufficient. [7]