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Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...
Samba-jazz or jazz samba is an instrumental subgenre of samba that emerged in the bossa nova ambit in the late 1950s and early 1960s in Brazil. [1] [2]The style consolidated the approach of Brazilian samba with American jazz, [3] especially bebop and hard bop, jazzy styles quite experienced by Brazilian musicians in scope of gafieiras and nightclubs especially in Rio de Janeiro.
"Wave" (also known as "Vou Te Contar" in Portuguese; "I am going to tell you" in English) is a bossa nova and jazz standard song written by Antônio Carlos Jobim.Recorded as an instrumental on his 1967 album of the same name, its English lyrics were written by Jobim himself later that year.
"Meditation" ("Meditação" in Portuguese) is a bossa nova and jazz standard song composed by Antônio Carlos Jobim and Newton Mendonça. The English version has lyrics by Norman Gimbel. [1] In Finland, the song was recorded in 1963 by Olavi Virta with lyrics by Saukki under the title "Hymy, kukka ja rakkaus". [2]
Hymns/Spheres is a solo double album by jazz pianist Keith Jarrett recorded on the Karl Joseph Riepp "Trinity" Baroque pipe organ at the Benedictine Abbey in Ottobeuren in September 1976 and released on ECM later that year. In October 1980, Jarrett would return to the Ottobeuren Abbey to record Invocations on the same organ. [1]
An instrumental version was included on The Lonely Bull by Herb Alpert and the Tijuana Brass (1962). [9] Astrud Gilberto and George Michael recorded a version for the 1996 compilation album Red Hot + Rio. Ana Caram covered the song on her 2001 album Bossa Nova.
Jazz Samba is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. [6] Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961.
Jobim recorded an instrumental version of the song in 1963 on his debut album, The Composer of Desafinado Plays. In The Jazz Standards: A Guide to the Repertoire, jazz critic Ted Gioia credits Frank Sinatra and his version with Jobim on their joint album Francis Albert Sinatra & Antonio Carlos Jobim for the popularity of the song. "Even during ...