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Kumadori (隈取) is the stage makeup worn by kabuki actors, mostly when performing kabuki plays in the aragoto style. [1] The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Both geisha and maiko wear oshiroi on the face and neck, but application on the back of the neck differs per occasion. For most situations, a pattern known as eri-ashi ( 襟足 , lit. ' nape legs ' ) is worn, forming two triangular stripes of unpainted skin from the nape of the neck downward.
Ganguro (ガングロ) is an alternative fashion trend among young Japanese women which peaked in popularity around the year 2000 and evolved from gyaru.. The Shibuya and Ikebukuro districts of Tokyo were the centres of ganguro fashion; it was started by rebellious youth who contradicted the traditional Japanese concept of beauty; pale skin, dark hair and neutral makeup tones.
With the turn away from Chinese culture, Japanese courtiers began to wear elaborate clothing – the jūnihitoe for women and the sokutai for men – in color combinations symbolising the change of the seasons and stylised views of nature. Women also began to paint their faces more thickly, and began painting their eyebrows as ovals or ovoid ...
Dyestalk red (lit. the color from dying with the stalk of the beni plant) 145,50,37 #913225 檜皮色: Hihada-iro: Cypress bark color 117,46,35 #752E23 宍色: Shishi-iro: Meat-color 249,144,111 #F9906F 洗朱: Araishu: Rinsed-out red 255,121,82 #FF7952 赤香色: Akakō-iro: Red incense-colored 240,127,94 #F07F5E ときがら茶: Tokigaracha
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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
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