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It is mentioned that the Codex Windsor also deals with Leonardo's incessant study of horses, their movements, their postures, etc. [1] [4] [5] After Leonardo's death most of his manuscripts and drawings were kept at his villa near Vaprio d'Adda, Lombardy, by his student and heir Francesco Melzi. [2] His son, Orazio Melzi, inherited the ...
This was the mark used on drawings and manuscripts by Leonardo da Vinci that belonged to the Melzi-Leoni collection. [3] [note 1] Leonardo da Vinci, Recto Study for the Head of a Soldier in the Battle of Anghiari, 1504–1505, Budapest, Museum of Fine Arts, no. inv. 1775.
Pages in category "Drawings by Leonardo da Vinci" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. A.
The Drapery Study for the Virgin is a drawing by Leonardo da Vinci in the Louvre.Executed in charcoal, Indian ink, and gray wash, with highlights of ceruse white on yellowed, black-tinted paper, it is a preparatory study for the drapery of the Virgin Mary's cloak in Leonardo's painting The Virgin and Child with Saint Anne, also in the Louvre.
Leonardo da Vinci's drawing served as a working basis for many of his followers. Giovanni Antonio Boltraffio, La Vierge à l'Enfant (détail), circa 1490, Budapest, musée des Beaux-Arts. Cesare da Sesto, Vierge à l'enfant avec donateur , 1505 to 1515, Rome, Sant'Onofrio convent on the Janiculum.
Studies of an Infant is a set of eight red chalk drawings on red ochre-prepared paper by Leonardo da Vinci, housed in the Gallerie dell'Accademia in Venice. These are representations of all or part of the body of a very young child, considered to be preparatory studies for the Infant Jesus in the oil painting The Virgin and Child with Saint Anne in the Louvre.
The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490.
The two drawings were made in pen and brown ink, on a preparatory drawing in stylus, with a brown wash on the back. This is one of the six works of Leonardo da Vinci showing the Virgin and Child playing with a cat or carrying it. A mirror symmetry between the drawings of the two faces is visible by transparency.
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