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Sharpening is the process of creating or refining the edge joining two non-coplanar faces into a converging apex, thereby creating an edge of appropriate shape on a ...
The mandola (US and Canada) or tenor mandola (Ireland and UK) is a fretted, stringed musical instrument.It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola (C 3-G 3-D 4-A 4), a fifth lower than a mandolin. [1]
Food processor – chops food using motorisation in multiple ways.; Grater – produces smaller pieces rather than thin sheets.; Kezuriki – Japanese version, used to shave katsuobushi, dried blocks of skipjack tuna.
mandolin part on Grateful Dead's Friend of the Devil [154] [155] Levon Helm, The Band; Chris Hillman, The Byrds, mandolin part of Sweet Mary; Ray Jackson, [156] mandolin part of Rod Stewart's Maggie May, Lindisfarne (band) John Paul Jones (United Kingdom), [157] Led Zeppelin, mandolin part of Gallows Pole [158] Bernie Leadon (United States)
That variant is known today as the Milanese or Lombardic mandolin, and retains the mandore's tuning. The Italians also called it the mandora or mandola. The latter name is still used in the mandolin family for an alto or tenor range instrument. From the mandola, the baroque mandolino was created, which in turn became the modern mandolin. [8] [6 ...
The resonator mandolin was developed by John Dopyera, who sought to produce a guitar that would have sufficient volume to be heard alongside brass and reed instruments.In 1927, Dopyera and George D. Beauchamp formed the National String Instrument Corporation to manufacture resonator guitars under the brand name National, adding tenor guitars, resonator mandolins and resonator ukuleles to their ...
Yasuo Kuwahara's expressive compositions tell stories in musical fashion. [1] The Song of Japanese Autumn describes the "struggle of peasants" in the early fall against the time when the autumn gales fall with heavy showers, and the stillness afterward when the weather calms down again at the end of the piece — all told musically with "accented rhythm", "agitated melody", tremolo and ...
Italian mandolin virtuoso and child prodigy Giuseppe Pettine (here pictured in 1898) brought the Italian playing style to America where he settled in Providence, Rhode Island, as a mandolin teacher and composer. Pettine is credited with promoting a style where "one player plays both the rhythmic chords and the lyric melodic line at once ...