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The result is a French sixth chord or minor seventh chord possibly posing as a virtual augmented sixth. From the French sixth chord (or minor seventh chord posing as augmented sixth), there exists a factor which, when lowered by semitone, gives a result equivalent to a half-diminished seventh chord possibly posing as a virtual augmented sixth.
Augmented Augmented sixth chord: 3–8 4-25 4-27B 0 4 t 0 4 6 t 0 4 7 t: Predominant Diminished chord: Play ...
The chord is an augmented sixth chord, specifically a French sixth chord, F–B–D ♯-A, with the note G ♯ heard as an appoggiatura resolving to A. (Theorists debate the root of French sixth chords.) The harmonic function as a predominant is intact, with the chord moving to V7.
However, this does not mean that these notes must be played within an octave of the root, nor the extended notes in seventh chords should be played outside of the octave, although it is commonly the case. 6 is particularly common in a minor sixth chord (also known as minor/major sixth chord, as the 6 refers to a major sixth interval).
The augmented sixth chord can either be the Italian sixth It +6, which is enharmonically equivalent to a dominant seventh chord without the fifth; the German sixth Gr +6, which is enharmonically equivalent to a dominant seventh chord with the fifth; or the French sixth Fr +6, which is enharmonically equivalent to the Lydian dominant without the ...
Augmented sixth Play ⓘ.. In music, an augmented sixth (Play ⓘ) is an interval produced by widening a major sixth by a chromatic semitone. [1] [4] For instance, the interval from C to A is a major sixth, nine semitones wide, and both the intervals from C ♭ to A, and from C to A ♯ are augmented sixths, spanning ten semitones.