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  2. Deimatic behaviour - Wikipedia

    en.wikipedia.org/wiki/Deimatic_behaviour

    Spirama helicina resembling the face of a snake in a deimatic or bluffing display. Deimatic behaviour or startle display [1] means any pattern of bluffing behaviour in an animal that lacks strong defences, such as suddenly displaying conspicuous eyespots, to scare off or momentarily distract a predator, thus giving the prey animal an opportunity to escape.

  3. Confronted animals - Wikipedia

    en.wikipedia.org/wiki/Confronted_animals

    Opposed animals are used in Insular art, the style of which is derived from a mixture of Celtic and northern European design traditions. Confronted animals, or animals intertwined in very intricate patterns, often depicted grabbing at each other to form the "gripping beast" pattern, are a main feature of some periods of Viking art. So ...

  4. Master of Animals - Wikipedia

    en.wikipedia.org/wiki/Master_of_Animals

    Sometimes the animals are clearly alive, whether fairly passive and tamed, or still struggling, rampant, or attacking. In other pieces they may represent dead hunter's prey. [5] Other associated representations show a figure controlling or "taming" a single animal, usually to the right of the figure.

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  6. Cultural depictions of turtles - Wikipedia

    en.wikipedia.org/wiki/Cultural_depictions_of_turtles

    The flesh of Trionyx was eaten from Predynastic times to as late as the Old Kingdom; later the flesh of turtles began to be considered an "abomination of Ra" and the animals were thought of as evil. Turtle carapaces and scutes from Red Sea turtles (Eretmochelys imbricata) were used in rings, bracelets, dishes, bowls, knife hilts, amulets, and ...

  7. Motif (visual arts) - Wikipedia

    en.wikipedia.org/wiki/Motif_(visual_arts)

    A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.

  8. Cultural depictions of spotted hyenas - Wikipedia

    en.wikipedia.org/wiki/Cultural_depictions_of...

    In Africa, the spotted hyena is usually portrayed as an abnormal and ambivalent animal, considered to be sly, brutish, necrophagous and dangerous. It further embodies physical power, excessiveness, ugliness, stupidity, as well as sacredness. Spotted hyenas vary in their folkloric and mythological depictions, depending on the ethnic group from ...

  9. Animal styles in Chinese martial arts - Wikipedia

    en.wikipedia.org/wiki/Animal_styles_in_Chinese...

    The five animal martial arts styles supposedly originated from the Henan Shaolin Temple, which is north of the Yangtze River, even though imagery of these particular five animals as a distinct set (i.e. in the absence of other animals such as the horse or the monkey as in tai chi or xingyiquan) is either rare in Northern Shaolin martial arts ...