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Despite the name, keyboard instruments such as the celesta and keyboard glockenspiel are not considered keyboard percussion instruments, despite being idiophones, due to the different skillsets required to play them. This is because keyboard percussion instruments do not possess actual keyboards, but simply follow the arrangement of the keyboard.
See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
The glockenspiel is limited to the upper register and typically covers between 2 + 1 ⁄ 2 and 3 octaves, though certain professional models may reach up to 3 + 1 ⁄ 2 octaves. [4] The glockenspiel is often a transposing instrument and sounds two octaves above the written pitch, though this is sometimes remedied by using an octave clef. [5]
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The name is a slight misnomer, in that almost every percussion instrument is played with some type of mallet or stick. With the exception of the marimba, almost every other keyboard instrument has been used widely in an orchestral setting. There are many extremely common and well-known excerpts for most of the mallet instruments.
The marching timpani were made of fiberglass, and were played by a four- or five-man line (similar to a modern-day bass drum line). The timpani were cranked by a handle sticking up on the side of the drum. Sometimes intricate, complex music was made using the possibilities of 4 or 5 players. While one man was cranking/tuning, another was playing.
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