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In other projects Wikimedia Commons ... In music and music theory, a hexatonic scale is a scale with six pitches or notes per octave. Famous examples include the ...
Example of Hauer's tropes. [8] Play ⓘ. Allen Forte in The Structure of Atonal Music [9] redefines the term hexachord to mean what other theorists (notably Howard Hanson in his Harmonic Materials of Modern Music: Resources of the Tempered Scale [10]) mean by the term hexad, a six-note pitch collection which is not necessarily a contiguous segment of a scale or a tone row.
For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [ 14 ] [ 15 ] Some scales span part of an octave; several such short scales are typically combined to form a scale spanning a full octave or more, and usually called with a ...
This tritone relationship between possible resolutions is important to Scriabin's harmonic language, and it is a property shared by the French sixth (also prominent in his work) of which the synthetic chord can be seen as an extension. The example below shows the mystic chord rewritten as a French sixth with notes A and D as extensions:
The two whole-tone scales as a symmetrical partitioning of the chromatic scale; [1] if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches. In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone.
<3,0,3,6,3,0> "Ode-to-Napoleon" hexachord [ 1 ] in prime form [ 2 ] In music , the "Ode-to-Napoleon" hexachord (also magic hexachord [ 3 ] and hexatonic collection [ 4 ] or hexatonic set class ) [ 5 ] is the hexachord named after its use in the twelve-tone piece Ode to Napoleon Buonaparte Op. 41 (1942) by Arnold Schoenberg (setting a text by ...
A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]
It is qualified as minor because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. Diminished and augmented sixths span the same number of staff positions ...
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