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Aarachaar (Ārāccāṟ lit. ' Executioner '; transl. Hangwoman: Everyone Loves a Good Hanging) is a Malayalam novel written by K. R. Meera. [1] Originally serialised in Madhyamam Weekly in continuous 53 volumes, the novel was published as a book by DC Books in 2012.
Yakshi is a Malayalam novel written by Malayattoor Ramakrishnan in 1967. [1] The novel follows a college lecturer, Srinivasan, who is disfigured in an accident in his college lab. He meets a beautiful woman who is willing to accept him despite his disfigurement.
Nalapat Balamani Amma (19 July 1909 – 29 September 2004) was an Indian poet who wrote in Malayalam. Amma (Mother), Muthassi (Grandmother), and Mazhuvinte Katha (The story of the Axe) are some of her well-known works. [1]
Chemmeen (Malayalam: ചെമ്മീൻ, cemmīn [t͡ʃemmiːn], lit. prawn) is a Malayalam novel written by Thakazhi Sivasankara Pillai in 1956. Chemmeen tells the story of the relationship between Karuthamma, the daughter of a Hindu fisherman, and Pareekutti, the son of a Muslim fish wholesaler.
"Poovan Pazham" (Malayalam: പൂവൻപഴം; English: Poovan Banana) is a short story written by Vaikom Muhammad Basheer and published in 1948 in the collection Viddikalude Swargam (Fool's Paradise). It is one of the most popular of Basheer's stories. [1] [2] [3] It was adapted into a telefilm of the same name by P. Balachandran.
The history of Malayalam poetry dates back to the 12th century; the earliest poetic work in a near-Malayalam language, or what might be a mixture of Tamil and Malayalam, is the Rama Charitam. [1] [2] First poets are called Kannassan Poets and also called Niranam Poets. Dispute is still going in this case.
Kunjunni (10 May 1927 - 26 March 2006), popularly known as Kunjunni Mash (Mash is the Malayalam equivalent of teacher), was an Indian poet of Malayalam literature.Known for his short poems with a philosophical overtone, his works were popular among children as well as adults.
The theme of the novel, focuses on the love between Basheer, a prisoner, and a female inmate of the prison, who remains unseen throughout the novel. [4] In Mathilukal, though the broad frame is autobiographical and the narration is first person, the details seem to contain sprinkles of fantasy.