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Feminist art criticism is a smaller subgroup in the larger realm of feminist theory, because feminist theory seeks to explore the themes of discrimination, sexual objectification, oppression, patriarchy, and stereotyping, feminist art criticism attempts similar exploration.
The first wave of feminist art was established in the mid-19th century. After women gained suffrage in the United States in the early 1920s, a wave of liberalization spread throughout the world, leading to gradual changes in feminist art. The slow and gradual change in feminist art started gaining momentum in 1960s. [8]
This is a list of feminist art critics. The list includes art critics that "reflect a woman's consciousness about women" [ 1 ] and who have played a role in the feminist art movement . It includes second-wave and third-wave feminist critics.
The feminist art movement in the 1980s and 1990s built upon the foundations laid by earlier feminist art movements of the 1960s and 1970s. Feminist artists throughout this time period aimed to question and undermine established gender roles, confront issues of gender injustice, and give voice to women's experiences in the arts and society at large.
Her 1975 essay, "When Greatness is a Box of Wheaties" is considered a key text of feminist art history, articulating the feminist critique of genius in art. [9] Duncan's well known 1989 essay "The MoMA's Hot Mamas" explores the social implications of representations of women in paintings [10] arguing that two renowned paintings of women by men ...
While art history and art criticism overlap as disciplines, we usually tend to think of the latter as writing the first draft of the former.
As the critic Lucy Lippard noted, feminist art isn’t a “movement” but rather “a value system, a revolutionary strategy, a way […] Essentials: 7 Rousing Books on Feminist Art and Artists ...
According to art historian Thomas E. Crow, "When Diderot took up art criticism it was on the heels of the first generation of professional writers who made it their business to offer descriptions and judgments of contemporary painting and sculpture. The demand for such commentary was a product of the similarly novel institution of regular, free ...