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Some of the most notable nicknames and stage names are listed here. Although the term Jazz royalty exists for "Kings" and similar royal or aristocratic nicknames, there is a wide range of other terms, many of them obscure. Where the origin of the nickname is known, this is explained at each artist's corresponding article.
A. Loretta Ables Sayre; Titilayo Adedokun; Arooj Aftab; Dianna Agron; Thana Alexa; Dee Alexander; Lorez Alexandria; May Alix; Jackie Allen (musician) Laurie Allyn
Pages in category "African-American jazz musicians" The following 200 pages are in this category, out of approximately 260 total. This list may not reflect recent changes .
Jazz royalty is a term encompassing the many jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, "aristocratic" or "royal" titles as nicknames. [1] The practice of affixing honorific titles to the names of jazz musicians goes back to New Orleans at the start of the 20th century, before the ...
[5] [6] In the 1930s and 1940s, as jazz and swing music were gaining popularity, it was the more commercially successful white artists Paul Whiteman and Benny Goodman who became known as "the King of Jazz" and "the King of Swing" respectively, despite there being more highly regarded contemporary African-American artists.
All-female jazz bands (5 P) American women jazz musicians (4 C, 76 P) ... South African women jazz singers (16 P) Women jazz singers (42 C, 14 P)
Alyson Cambridge (born 1980): operatic soprano and classical music, jazz, and American popular song singer Cam'ron (born 1976): Hip hop Canon (born 1989): Christian hip hop
Once jazz music transitioned from the 1920s to the 1950s, many black female artists began singing more in the style of R&B blues as well as folk jazz. Nina Simone was hailed as setting a prominent precedent for other artists, as she modeled what was called the new style of jazz.