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Gate Keepers 21 (ゲートキーパーズ21, Gēto Kīpāzu Nijūichi) is a six-part sequel OVA series to the Gate Keepers animated TV series and has a darker and more serious plot than its predecessor. Some of the questions left unanswered in the TV series are answered in this sequel.
Gate Keepers (ゲートキーパーズ, Gēto Kīpāzu) is primarily a role-playing video game for the PlayStation. The game was then adapted into a manga series written by Hiroshi Yamaguchi (山口 宏, Yamaguchi Hiroshi) and drawn by Keiji Gotoh. The anime series was produced by GONZO and was directed by Koichi Chigira.
She operates Gate Robo Unit 03. In the game she plays a bigger role and is one of the first characters to join the player. In the game Misao controls the Gate of Wall. Her role was replaced by Megumi in the anime who is an anime only character. In the anime, her Gate of Perception gives her powerful and accurate precognitive abilities. Her Gate ...
At first, he thinks that Go is just for old folks and he is annoyed at Sai's demand to play, but little by little his passion for Go increases as he plays more and more. From being a member of a school Go club to becoming an Insei and finally a professional Go player (at 14 years old with three losses) a year after Akira, Hikaru matures ...
Lee Sue Min Gon Jem Shittenoh member, and pilot of the Stark Deins. Eventually joins Meio Plato's platoon when fighting against Dorchenov. Her machine is best known for the chainsaws attached to the arms, which makes her a deadly opponent when close-up. Gol Gon Jem Shittenoh member, and pilot of the Stark Gewei. He is usually seen carrying a ...
Hikaru no Go was adapted into an anime television series by Studio Pierrot.It was broadcast on TV Tokyo from October 10, 2001, to March 26, 2003, for 75 episodes. A New Year's Special titled Hikaru no Go: Journey to the North Star Cup (ヒカルの碁 スペシャル 北斗杯への道, Hikaru no Go Hokuto-hai e no Michi) aired on January 3, 2004.
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Go! Go! Loser Ranger! [a], also known as Ranger Reject, is a Japanese manga series written and illustrated by Negi Haruba.It has been serialized in Kodansha's Weekly Shōnen Magazine since February 2021, with its chapters collected in seventeen tankōbon volumes as of January 2025.