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Compositions created specially for funeral use or as a memorial to a deceased person or persons. Settings of the requiem mass can be found in that subcategory. Subcategories
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A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral. Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2] Dirges are often slow and bear the character of funeral marches.
Later the settings became polyphonic, Victoria's famous 1605 a cappella work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Day of Wrath sequence, and to score with orchestra. Eventually many settings of the Requiem, not least Verdi's (1874), were essentially concert pieces unsuitable for church service.
In the 2001 Eagle Vision documentary, Classic Albums: Goodbye Yellow Brick Road, John said the two songs were not written as one piece, but fit together since "Funeral for a Friend" ends in the key of A, and "Love Lies Bleeding" opens in A, and the two were played as one elongated piece when recorded. However, the songs are published and ...
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
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Both of these intervals are associated with lament and funeral topics. Lutosławski initially treats the row canonically , answering this dux with a comes in the second cello, whose time interval is one beat (half-note, minim) and pitch interval is six half-steps (semitones) higher.