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Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [ 1 ] In the 20th century, the works of Alexander Calder , Ruth Asawa , and other modern practitioners developed the medium of wire sculpture as an art form.
Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American modernist artist known primarily for her abstract looped-wire sculptures inspired by natural and organic forms. In addition to her three-dimensional work, Asawa created an extensive body of works on paper, including abstract and figurative drawings and prints influenced by ...
In 2014 a visitor shared a photo of one of the sculptures and Wight's Fantasywire Facebook page swelled to 440,000 followers. [3] [4] Robin Wight has created four Dancing with Dandelions sculptures, which he calls "One o'clock Wish". He called it his signature piece and has said it is the most requested sculpture.
3D printed Digital sculpture by Digital Artist Ivo Meier. Sculptors and digital artists use digital sculpting to create a model (or Digital Twin) to be materialized through CNC technologies including 3D printing. The final sculptures are often called Digital Sculpture or 3D printed art. While digital technologies have emerged in many art ...
Gordon Wagner (1915–1987), was a pioneer in American assemblage art, who was known for his bazaar art, painting, poetry and writing. Jeff Wassmann (born 1958), an American-born contemporary artist who works in Australia under the nom de plume of the pioneering German modernist Johann Dieter Wassmann (1841–1898).
Dancing with Dandelions or One O'clock Wish is a sculpture depicting a fairy who appears to be fighting the wind while holding a dandelion. It was created by Robin Wight, an artist from Staffordshire. The artist now produces a series of wire sculptures featuring fairies and dandelions.
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The wire is affixed to a base which is usually made of wood. The artist then begins fleshing out the sculpture by adding wax or clay over the wire. Depending on the material and technique, the armature may be left buried within the sculpture but, if the sculpture is to be hollowed out for firing, it must 1 be removed.
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