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The climax (from Ancient Greek κλῖμαξ (klîmax) 'staircase, ladder') or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. [1] [2] The climax of a story is a literary element. [3]
The Turn of the Play: The action of one or more of the characters which sets the course of events moving towards the crisis or climax. The Steps of Action, leading to climax (sometimes called Rising Action): A. B. C. etc. The Decisive Point of Action. Something takes place which makes it impossible for the "rising action" to go further.
The play is the allegorical accounting of the life of Everyman, who represents all mankind. In the course of the action, Everyman tries to convince other characters to accompany him in the hope of improving his life. All the characters are also mystical; the conflict between good and evil is shown by the interactions between the characters.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...
This is an archive of quotes that have appeared in the Quotes section of Portal:Literature. More quotes in wikiquote:Books. Example of a quote in wikicode: {{cquote|Read in order to live.}} ::[[Gustave Flaubert]]
A drama is then divided into five parts, or acts, which some refer to as a dramatic arc: exposition, rising action, climax, falling action, and catastrophe. Freytag extends the five parts with three moments or crises: the exciting force, the tragic force, and the force of the final suspense.
Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. [1]
Lionel Stevenson wrote that "The most explosive impact in English literature during the nineteenth century is unquestionably Thomas Carlyle's. From about 1840 onward, no author of prose or poetry was immune from his influence." George Eliot's novel Middlemarch stands as a great milestone in the realist tradition. It is a primary example of ...